Abstract
This article provides a critical examination of the cultural sociology developed by Jeffrey C. Alexander, focusing on his view of the theatricality of social life. The argument is that, while Alexander’s perspective do engage in a highly significant valuation of the performative dimension of social and political life that matches his strong program in cultural sociology to add a reflexive turn to cultural production in general, his views on theatre and politics remain somehow limited in their efforts at reaching the symbolic structures that are constitutive of these domains. In using a structural hermeneutics to define the analytical core of his methodology, Alexander loses sight of a more dialectical hermeneutics able to tackle the significant transformations affecting those symbolic structures, and exhibited by both avant-garde theatre and media infused mass democratic politics.
Keywords:
Jeffrey C. Alexander; cultural sociology; theatricality; avant-garde; dialectical hermeneutics