Abstract:
In this work we study the genesis of Simone Weil's conception of perception. We discuss her use of the notions of time, space, and the mythological figure of Proteus, analyzing some of the author's key early texts. Our goal is to then make clear the appearance of the main important theoretical bases that organize Weil's phenomenology in her mature years. In this way, we try to demonstrate that although the perceptive process as conceived by the young Weil is strongly influenced by Kantian phenomenology, it already appears as an original contribution with regard to the relation between the consciousness of the subject and the spatiotemporal data revealed in the apprehension of the object.
Keywords:
Proteus; Time; Space; Perception; Desire