As a reply to the questions raised by Roberto Schwarz in "O lugar da arquitetura", the author shows that because it is interested art by definition, architecture cannot be confined to the private domain of esthetic contemplation. Besides, one cannot lose sight of its mass character, to which the ideological destiny of the Modern Movement is not indifferent, not because architecture has been neutralized by changes in the times, but because it has fulfilled its promise.
Modern movement; immanent critique; Habermas