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VILLAGE ORNAMENTS: FAMILIARIZATION AND PETS AS ART(IFACTS) IN AMAZONIA1 1 This article was made possible by reviews, comments, and suggestions from various partners on the two occasions when the preliminary results were presented. I especially would like to thank Carlos Sautchuk, Guilherme Sá, Ciméa Bevilaqua, Jean Segata, Bernardo Lewgoy, Caetano Sordi, Lady Selma Albernaz, Geraldo Andrello, Clarice Cohn, and Marcos Lanna. Marcy Norton sent me some of her texts, which were fundamental to the arguments developed herein.

ENFEITES DE ALDEIA: FAMILIARIZAÇÃO E MASCOTES COMO ARTE(FATOS) NA AMAZÔNIA

Abstract

The objective of this article is to discuss some reasons the Karitiana (Rondônia, Brazil) evoke to explain their ever-present desire to maintain familiarized or domesticated animals in their villages. Based on the ethnography of the relationships among the Karitiana and these animals, this paper enters into dialogue with the hypotheses formulated to explore the Amazonian people's fondness for the company of non-human species. It also provides insights for rethinking these debates, advocating that Indians are particularly looking for beauty represented by the diversity of animals and by the arts of domestication, just like the aesthetics of conviviality as proposed by Joanna Overing. This aesthetic dimension of human-animal relations seems to be overlooked by theorists of domestication or familiarization because they consider these phenomena to be more techniques or technologies than arts. Renewed perspectives on human-animal relations can be opened by addressing the "arts of domestication" and avoiding an a priori opposition between technique and art.

Keywords:
human-animal relations; domesticity; familiarization; art; aesthetics

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