Plato has a negative vision of art and of the tragedy. The "irrationality" of the artistic practice is in the base of that denial. His vision is contrary to the perspectivism humanist of Eurípede and of the sophists. In the renaissance philosophy the subject observer (temporary and rational) presuppose the multiple and the infinite. The perspectivism is in the base of that orientation and Shakespeare is the best artistic expression of that presupposition defended in the philosophy by Giordano Bruno.
Eurípedes; Perspectivism; tragedy; subjectivity; Humanism; Plato; Euripedes; Giordano Bruno; Shakespeare