Resumo

HINKEL, Jaison  e  MAHEIRIE, Kátia. Musical appropriation: the art of Raplistening. Psicol. estud. [online]. 2011, vol.16, n.3, pp. 389-398. ISSN 1413-7372.  http://dx.doi.org/10.1590/S1413-73722011000300006.

The research focus the aesthetic relations between listeners and the Rap songs singers and authors by musical subjective appropriation flux. From a social-historical perspective, in which where the Vygotsky#039;s methodological reflections are connected to proposals by Bakhtin and Sartre#039;s thinking by a dialogic fashion with in listeners become also authors.  It was used as methodological processes open and singular interviews with five young inhabitants from Blumenau/SC peripherical areas.  The first results points that musical appropriation by subjects under observation is a thick process that interweave subjective physical-perceptual and biographical aspects of each one of them. The musical appropriation singular processes investigated gave rise to an understanding that confirms the historical-cultural thesis that states  social conversion of collective symbolic artifacts into subjective ones by a participatory relational negotiation of new meanings and collaboration of zones of sense.

Palavras-chave : Rap; psychology; musical appropriation.