ABSTRACT
This paper problematizes certain concepts and propositions of Iuri Lotman that portrayed his conceptions of memory and time, such as semiosphere, text, panchronism and explosion. In the context of juvenile theatricalities, mapping such a theoretical scope aims to understand the production of memories and the temporal codifications as communicative instances. Steampunk theatricalities experienced in face-to-face meetings are considered empirical objects. This analysis is conducted in urban areas of the Southeast of Brazil, counting on a bibliographic research focused on theories of memory, a field work following the flânerie methodology in events attended by these youth groups. It aims to demonstrate the dialogue between the semiotics developed by Lotman and the mnemonic and temporal representations present in these theatricalities.
KEYWORDS:
Memory of the future; Panchronism; Juvenile theatricality; Steampunk