Abstract
This article focuses on Memorias de Altagracia (1974) by the Venezuelan Salvador Garmendia with the purpose of reviewing aspects of his writing, his way of processing the past and his eccentric configuration of the experience that celebrates infancy and playing. This article also considers the importance of these options and operations that have helped Garmendia build his particular memorialistic-auto- biography.
Keywords:
Infancy; Garmendia; Experience; Memorias de Altagracia