Abstract
The work explores the relationships between the processes of transnational mobility and the construction of subjectivities in migrant representations in the documentary En tierra extraña (Icíar Bollaín, 2014), whose main methodology is a sociocritical analysis of the film articulated to the contextualization of Spanish cinematography in the field of Migrations. The human displacements read from contemporary Spanish emigres’ film images are stressed in the most recent Spanish cinematography, especially in the intensification of the social perception of the phenomenon of emigrant mobility from the economic crisis of 2008, as well as the memory experience, diaspora and interculturality are observed In Bollain’s film in relation to the temporal narratives underlying the recent displacements of Spaniards in Europe.
Keywords
analysis of cinematographic discourses; Cinema and migration; Identities; visual studies and adaptability