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The time refusal and its implication in subjectivity

Vera Lúcia Giraldez Canabrava About the author

This article reflects about time, that is still lived only in the linear, chronological aspect. It discusses the theories of Henri Bergson concerning memory, of Gilles Deleuze, concerning time, image and cinematographic art and Deleuze-Guattari’s theory on the crystal image. It is a study motivated by the production of new ways to think about subjectivity and the creation of new behaviors in the time of therapy, highlighting small individual and group differences, when the virtual update occurs, that fortify life, liberating the intensities imprisoned by forms generated in the refusal of time, the expression of the captive powers, powers of time, that reveal points of singularization, new and mutant points of truth, transitory truth, as in the cinema, that operates with diverse kinds of time images and privileges images that emerge directly from time, where the objects are disposed in infinite plans.

Time; Memory; Subjectivity; Image

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