In this paper we intend to promote a debate on the concept of subjectivity production as it is proposed by Guattari (1985). On the basis of some considerations about Jorge Furtado's film "O homem que copiava", we support the pertinence of the concept of collective disposals of enunciation in substitution to the concept of an individual subject of enunciation. Our discussion starts with Foucault's approach to the articulation between knowledge and power; secondly, we discuss the difference between copy and invention; finally the debate focuses on subjectivity, putting forward what we have called a "technique of mosaic", which will correspond to the fragmentation of the subject as an alternative to a Cartesian approach to the matter.
Subjectivity production; knowledge and power; collective disposals of enunciation