This text aims to visualize spatial and temporal configurations that breach linear and polarized structures through ways of occupying constructed space in multiplicity. Such visualization will take place from the art works of Murits Escher (1898-1972) with approaches of some concepts of Gilles Deleuze (1925-1995). The meeting of these references from Art and Philosophy is considered a contribution in weaving passageways for querying other forms of subjectiveness. Escher's art work is a questionnaire on reality through its own configured elements of surprising and inconceivable forms, once they disarticulate that which is established.
subjectiveness; multiplicity; perspectivism