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Genética Teatral • Rev. Bras. Estud. Presença 3 (2) • Aug 2013 • https://doi.org/10.1590/2237-266037504   copy

Around Refuse The Hour, Kentridge and his Space-Time of Creation

Authorship SCIMAGO INSTITUTIONS RANKINGS

ABSTRACT

This article deals with a creative process born in the intersection of stage, cinema and visual arts: the one of William Kentridge. In the polymorphic work of the South African artist, his movement between different forms of expression holds a key-role in his way of working. Taken between an installation and an exhibition, the progress around his show Refuse The Hour (2012) gives a relevant ground for the analysis of the stakes in a process of creation in movement between various artistic fields. From the studio to rehearsals, and through a rhythm of collective work, this text investigates the genetics of the show crossed by different space-times of creation.

Keywords:
Kentridge; Interdisciplinarity; Process; Rehearsals; Workshop

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