ABSTRACT
It departs from the hypothesis of a hierarchy of real(s), with less and more legitimacy, operating in the evaluation of the contemporary spectacular production. The hyper valuation of a given reality, took as a ready-made an instantly, as a source of liveness in the narrative contemporary processes, documentary or artificial, is discussed and seen as metaphysic, against the imaginary works of performative mimesis, which get to strange and amplify the idea of the real.
Keywords:
The Reality; Mimesis; Performance; Documentary; Hierarchy