Abstract
The present investigation aims to elucidate the presence of myth in the work of Eduardo Nicol. This inquiry of course, is something not thought about, since the author in question from the beginning of his philosophy has recognized that the path of thought is beyond myth, that is, it is nuanced by reason and by conceptual rigor. In other words, for him philosophy is about what is phenomenologically accessible and about what is rationally intelligible. Precisely for this reason, one of the names with which Nicol's philosophy is known is under the name of "Metaphysics of expression" by virtue of the fact that what is given is commonly acquired through an expressive or communicative act. However, and despite this conceptual position, the fact is that the presence of myth can be found at the very heart of this philosopher’s philosophy. It should be noted that there is a particular myth that prevails in the clearing of his work, namely the myth of the androgyne. Through this myth it is possible to elucidate the origin of man and the original idea about symbol.
Keywords
Man; Nicol; Myth; Symbol.